Archive for the ‘music’ Category

Geoff Downes

I first became aware of Geoff Downes as a member of The Buggles and their MTV launch video “Video Killed the Radio Star.” Not much of an auspicious beginning for a me, a devout fan of progressive rock. Lo and behold Geoff soon surfaces with a reformed YES with 1980’s “Drama.” An enjoyable release but a departure still the same for 1 of my favorite progressive rock flag bearers. But wait, it’s 1982 and here he is again with the debut album from Asia! A band with Steve Howe from YES and John Wetton from King Crimson. This Geoff Downes guy has taken my prog sensibilities by storm. He is now officially on my radar. From his career with ASIA, YES, and collaborations with John Wetton let’s fast forward to 2021. This prolific performer has now joined forces with artist Chris Braide.

Braide is a British songwriter, producer, musician and performer that I have not heard of previously. His production credits lie with some of today’s contemporary pop artists. With that fact not withstanding I find his collaboration or association to be correct, with Downes, to be a breath of fresh air in newly recorded progressive rock music.

Chris Braide

Their 4th studio release, entitled “Halycon Hymns” embodies a pastoral of days gone by. The video from the opening track from that release, “Love Among the Ruins” is well represented below.

It opens with the spoken word in that inimitable British style and features home movie excerpts from a bygone time.  Braide’s vocals are the perfect compliment to the video images.  A highlight for me is the guitar solo of David Bainbridge.  He too, like the band’s 2 namesakes, has been quite prolific throughout his musical career.  In addition to this DBA release he can be heard on Lifesigns well received release “Altitude.

Unknown-1 copy                                                                               David Bainbridge

We found love 
among the ruins.
We found love
in fields of gold.
We
found love
among the ruins. And we made it all
beautiful for love.






Now the track on this wonderful release that is quite possibly my favorite is “Holding the Heavens.” It begins with 12 string acoustic guitar reminiscent of Anthony Phillips or Steve Hackett from early Genesis. Here Braide hits some of his highest vocal notes. And quite possibly the first time the word “inclement” is utilized in a song lyric!


So where will you go from here
when you're holding the heavens? 
Well you know that I'm always there
when the skies are inclement.
And I pray that you're always near
now you're holding the heavens.






I would think that many potential listeners will find this form of progressive rock very accessible. Roger Dean cover art for the album will identify it for specific audience but that shouldn’t deter the casual listener. Geoff Downes’ keyboards are understated throughout without being lost in the mix. Chris Braide is a musical talent of the highest caliber. And David Bainbridge adds the guitar element I find so essential in the genre. Lyrics that are full of hope that harken back to perhaps a simpler time are a welcome listen during these turbulent times. “Halcyon Hymns” from Downes Braide Association renews my hope for better days. It reinforces my adoration for a form of music that highlights great musicians with integrity and vision. Give it a listen.

Classic Horror Movie Stars From a Bygone Era

To start, this is my first post in quite some time. But, as usual when I stumble upon a piece of music that truly moves me I feel compelled to share it. This time it’s the latest release from the Welsh progressive rock band Magenta.

Utilizing the title, “Masters of Illusion” and following their oft used musical approach of the past this 2020 release is indeed a concept album. Depicting through their distinctive musical style the lives of classic horror movie stars from the 1950’s and 60’s. Dracula is well represented with odes to Bela Lugosi and Christopher Lee and even the Wolf Man Lon Chaney Jr. According to some musical critics this album has appeared as 1 of the top 25 Progressive Rock releases of 2020.

Led on vocals by Christina Booth, whom some, including this writer, would consider as one of the current premiere female vocalists in progressive rock. The track and video I’m highlighting is the lead song, “Bela” which of course refers to one Bela Lugosi.

The orchestral intro to the track complete with choral voices is quite compelling. What soon follows is a keyboard riff quite reminiscent to Peter Gabriel’s “San Jacinto”. That all but disappears into a blistering guitar solo by Magenta’s Chris Fry. The composition would seem to mimic the rise and fall of Bela Lugosi life itself. Majestic at times and almost mournful at others. Represented admirably throughout the song by Booth’s vocals, the keyboards of Robert Reed, bass guitar by Dan Nelson, drumming by Jiffy Griffiths and the guitar wizardry of Chris Fry.

I must admit although I have been aware of this band for years, Chris Fry on lead guitar has certainly caught my ear. He is unquestionably a player to be reckoned with any of the current progressive rock guitarists performing today. His work on this track ranges from blues to mellow acoustic to soaring sustained lead guitar.

Here’s a stanza of lyrics that could serve some of todays’ musical performers, so called influencers and social media stars as well. Fame is so intoxicating but can easily come crashing down.

Live the fame
With arms wide open
Take all that I can
Feel the love from all around
Become more than a man
I had it all
I had a ball
I wish my life would never end


Perhaps listening to this or any of the tracks on “Master of Illusion” will encourage you to revisit the life story of these early horror movie greats. The case of Bela Lugosi is quite intriguing. His rise to fame and subsequent fall can be a cautionary tale for today’s often disposable generation of stars. I would assume that is what served as the impetus for this progressive rock concept album. Performed impeccably by one of my new favorite bands, Magenta. I’ve got to admit I’m a sucker for female vocalists and tasteful lead guitar. This band and this album have it all.


Here’s Magenta’s video for “Bela” the opening track from their latest “Masters of Illusion.” It is mostly a performance by the band and showcases their exceptional musical talents. Another fine example of progressive rock emanating from the 4 corners of the 3rd rock from the sun!

I just stumbled on a 2018 concept release entitled “Origin of Species” by an artist who goes by the name DarWin. This epic release features legendary musician and producer Simon Phillips. Phillips has worked and performed with some of the biggest purveyors of progressive rock such as Jon Anderson, Asia and Steve Hackett plus more mainstream acts like The Who and Pete Townshend.

Other musicians on this release are Matt Bissonette on vocals and bass; the aforementioned DarWin on guitars; Jeff Babka on piano and Greg Howe on guitar, who is one of the best rock/fusion guitar players on the planet!

Greg Howe

Now onto to the concept behind this release.  Set in the not too distant future the earth has a depleted ecology and worldwide conflict all related to climate change. Not too far fetched considering what science is reporting to us everyday.  Our protagonist, Darwin wakes from this struggle to survive and begins his journey.  He is seeking civilization and trying to understand this cataclysmic torment he finds himself in.  As he moves forward he encounters memories of his past; his life, his wife and his child. All of this is best represented in the video for the track, “Escape the Maze.”

The track begins with beautiful piano and orchestral arrangements.  The strings capture your attention before the lead vocals arrive.

Lost in a dream
A world yet unseen
My senses return to me now

Soon the chorus rings out:
You may find a way
To escape the maze
Learn to see inside
Hack into the Mind’s Eye

The key phrase, “The Mind’s Eye” refers to one’s mental ability to envision imaginary imagery or recollect images from our past.  The track is a showcase for the guitar work of Greg Howe.  Throughout the song strings and woodwinds add a majestic element to the track.  The video is well produced and provides an entertaining interpretation of the lyrics.  The story takes on a sci fi element as our soon to be hero, Darwin, finds himself transformed into a human with unlimited technological powers.  Can he restore the earth and see his wife and family again?   Once again; the creativity, musicianship and quest for a soundscape so beyond the norm of today’s contemporary music has affected me profoundly.  I could listen to this single track repeatedly.  I am truly once again, plugged into progressive rock.  With the battle lines seemingly drawn today between the climate change acceptors and deniers, maybe this video and the complete concept album, “Origin of Species,”  foretell a vision of our future.  Let’s hope we can wake up in time.

 

 

band Anathema_1

Well it’s 2018.  And I’m still catching up with great progressive rock tracks from recent years that I stumble across during my forays onto the web and satellite radio.  This time it’s a return to one of my favorite bands of the genre, Anathema.

Prog cover

The band is currently riding high with their 2017 release, “The Optimist.”  So much so that Prog Magazine’s  year end reader’s poll named Anathema the #1 Band of the Year;  their album “The Optimist,” #1 Album of the year; Vincent Cavanagh was named #1 Male Vocalist and Lee Douglas, #1 Female Vocalist.  How’s that for a triumphant musical performance!

The track I’ve fallen absolutely in love with has a message that could very well have been included on their latest album had it not been released over 5 years ago!  The track is entitled “Lightening  Song,” from their 2012 album, “Weather Systems.”  

anathema-weather-systems-cover

 

 

 

It begins with the gentle guitar picking of Daniel Cavanagh, one of three brothers in this Liverpool band.

Daniel_1

 

 

 

 

 

The lush sound of a singular stringed instrument soon follows.  And then, the lilting voice of Lee Douglas.  After repeated listenings to this cut I can unabashedly say the beauty and optimism expressed through the lyrics and Lee’s voice can bring tears to my eyes.

Lee_2

The music this band creates is light years away from their beginnings as a metal band and I for one am so extremely grateful for the transformation.  At roughly 3 minutes into this 5 minute and 23 second track the harder leaning metal influence appears with driving electric guitar, powerful drumming and thumping bass.  Lee Douglas wraps her wonderous voice around the chorus of the track.

This world is wonderful, so beautiful
If only you can open up your mind and see
Your world is everything you ever dreamed of
If only you can open up your mind and see

The evolution of this band is striking.  From doom metal to one of the more prominent purveyors of neo progressive music today.  But don’t just take my word on this incredible band and this beautifully optimistic track.   The readers of “Prog Magazine”  throughout the world have spoken as well.  Anathema are definitively part of the current vanguard of a progressive rock music revival.   To support our claim, here is a live performance video of the band performing “Lightening Song” from “Weather Systems:”

Straddling the line between progressive and alternative rock is the NYC based band Jolly, aka The Incredible Jolly.  A powerful quartet featuring a line-up consisting of: Anadale (guitars & vocals), Anthony Rondione (bass & vocals), Joe Reilly (keyboards, samples) and Louis Abramson (drums).

JOLLY

The band writes and produces all of their music in a home studio and creates live action and animated videos as well. All of this is done with no budget whatsoever.  Eschewing traditional record label involvement Jolly is a complete DIY project.   The band looks only to their fans to become true patrons and support their musical venture.  How’s that for pursuing your passion and developing the entrepreneurial spirit?  Some of their musical influences include Tears for Fears, Radiohead, and Pink Floyd.  They have created a 2 part series of recordings entitled “The Audio Guide to Happiness Part 1 and Part 2.

Now here comes the really interesting part about this band.  The band collaborated with a nearby university to perfect the usage of binaural tones to optimize the JOLLY listening experience.  My limited research on the subject finds that when signals of two different frequencies are presented separately, one to each ear, your brain detects the phase variation between the frequencies and tries to reconcile that difference.  As the two frequencies mesh in and out of phase, your brain creates its own third signal — called a binaural beat.  Research has proven that introducing a binaural beat will cause the brain to begin resonating in tune with that beat.  This same technique can be used to quickly and easily guide your mind into any state.  As we used to say, pretty deep!

With all of that scientific stuff aside, I really like the power behind this band.  I’ve included the videos for 2 tracks I think well represent the band.  The first from their 2012 release “The Audio Guide to Happiness Part 1,” simply titled “Joy.”   Keyboards and bass drive the track with lead vocals courtesy of band member Anadale.
The video is strictly a band performance of the track.  The interplay between band members is tight and the keyboards of Joe Reilly stand out.

Here’s the chorus:
One of these days I’ll sail through the ocean
When I return I’ll bring it all back and
Tell the whole world, restore things left broken
I’ll hold it down so we could start new

 

The second cut “Ava” is from their latest 2016 release “Family.”  Definitely not in the progressive camp but for some strange reason it attracted me upon first listening.  Bass heavy with keyboards more in tune with today’s electronic music. The track owes it’s overall effect to the progressive and electronica fusion of the British band Muse, which is apparently one of Jolly’s influences. The video is a bit psychedelic with the song title’s namesake Ava appearing throughout interspersed with performance shots of the band. Give it a listen and see if it doesn’t it move you.  Progressive, electronica or alternative label notwithstanding;  the track is infectious.

 

Putting all the pretentiousness aside about binaural beats or tones, the music that Jolly creates brings this listener to a state of true happiness.  Perhaps it will do the same for you as well.  And I salute the overall approach to creating their musical vision.  If you like what you hear, visit patreon.com to support this unique band.

Anathema text

Thanks to my good fortune I’ve met a fellow prog rock fan deep in the heart of Texas.  Someplace, quite frankly, I never thought I would find one.  And through him I’ve discovered a beautiful and haunting track I can’t help but replay over and over again,.

The band, Anathema and the track “The Lost Song Part 2” from their 2015 release “Distant Satellites.”  This unique band consists of the three Cavanagh brothers in addition to the brother and sister duo of John and Lee Douglas. Here’s the complete line-up of this Liverpool band and their respective instruments:

Anathema _1

Vincent Cavanagh – rhythm and acoustic guitars, keyboards, programming, lead vocals
Daniel Cavanagh – lead guitar, keyboards, piano  lead and backing vocals
Jamie Cavanagh – bass
John Douglas – drums, percussion, keyboards
Lee Douglas – backing vocals , lead vocals
Daniel Cardoso – keyboards, drums

The track, “The Lost Song Part 2” begins simply enough with understated piano.  Soon the beautiful female voice of Lee Douglas begins to fill your airwaves.  The groove is mellow and extremely pleasing to this listener’s ear.  Then the lyrics begin and the pace of this song changes dramatically.

                             

Lee Douglas

Lee Douglas, vocals

 

In a lifetime
There’a a moment
To awaken

To the sound of
Your heartbeat
Unbroken

And you’re free now
And I will remain
Still dreaming

Alive and aware
The love that I once believed in

 

The entire track is devoid of any overpowering guitar solos. Instead it relies on piano, keyboards and guitar to power it through.  And oh, the lush lead voice of Lee Douglas is a delight to be taken in.  “The Lost Song Part 2” is a true progressive rock ballad if such a thing does truly exist.  As the track effortlessly moves to its’ end, the soundscape of this band is both harmonious and discordant at the same time.  And the overall effect on this listener is overwhelming.

There’s an excellent video on YouTube that I’ve included here.  It features clips from the 2011 science fiction movie drama, “Perfect Sense” starring Ewan McGregor and Eva Green.  I have to admit I’ve never heard of the movie before but I’m certainly glad I’ve stumbled on this edited clip to this moving song.  The movie and this video focus on the relationship between their 2 characters as an epidemic spreads across the world whereby humans lose their sensory perceptions one at a time. Surprisingly this song does not appear on the soundtrack for “Perfect Sense” nor is it the official song for the movie. Still, having 2 gifted actors appear in an edited clip for this song only heightens the experience.

 

If you prefer a live performance of the song, I included that here.

 

 

Anathema is a band I will explore more closely and I hope you will too.  Don’t let the negative connotation associated with their name or even the awkward pronunciation discourage you.  Their music and this endearing track couldn’t be any further from that.

jt-tourlogo1440X450

I know this blog is normally reserved for purveyors of progressive rock from around the globe but I couldn’t refrain from expressing my admiration for this band.  Their 2017 U.S. tour stopped in Houston, Texas where I had the pleasure of catching them live.  U2 as a band has been on my radar well before they reached arena rock status.  So my long acquaintance with this band has certainly colored my live experience.  Celebrating the 30th anniversary of their 1987 release “The Joshua Tree” was the impetus for me shelling out what amounted to 10 times what I paid to see them during the original tour for this LP.  Enough background!  Get on to their performance.

Although the concept if you will for this tour was to perform “The Joshua Tree” in its’ entirely from start to finish, the band opened up with 2 gems from earlier in the career.  First was “Sunday Bloody Sunday” from their 1983 release “War.” U2 performed in front of a video screen that ran the length of the stage yet for this number and the next, “New Years’ Day” there was no projection to distract us from the band’s powerful performance.  But ah, that would soon change as they launched into “The Joshua Tree” and images of that iconic tree would appear via video projection.

Joshua tree

Needless to say the band sounded great.  With the innovative guitar wizardry of The Edge carrying the weight of this incredible band.  Eschewing the typical lead guitar solos often found in rock, The Edge utilizes a far simpler yet still powerful method.  His reliance on delay and reverb effects have created his and U2’s signature sound.U2-MOJO-254-770

After playing the 11 tracks that make up “The Joshua Tree” the band dug into their vast repertoire of musical nuggets. First up was “Bad” from 1984’s “The Unforgettable Fire.”  What stood out for this number was a huge silk screened image of a young Muslim woman wearing a head scarf that was passed along the eager hands of the audience as it made it was thought the capacity crowd.  U2 was and is a band that never abandons its’ social consciousness and this evening was no different.

Fast forward to their 2000 release, “All That You Can’t Leave Behind,” and the next 2 songs were “Beautiful Day” and “Elevation.”  As the evening inched closer to it’s conclusion U2 reached back into their musical catalog to 1991 and “Achtung Baby.”  First up was the pulsating “Ultra Violet (Light My Way).”  From there the band downshifted the tempo to the rock ballad “One.”  The evening came to close after and hour and 45 minutes with the track “Little Things That Give You Away” off their soon-to-be-released studio album.

So no, U2 is not and never was a progressive rock band.  What they are, to harken back to a moniker that was thrown about years ago, are 1 of the biggest bands in the world.  And that my friends, is something to experience live.  Check out YouTube for live video for most of the songs performed this wonderful evening.  Or better yet, check them out live during this U.S. tour.

 

 

Kansas-Logo-kansas-the-band-38653049-1000-200
OK, so I’ve been a little late to the game. 9 months to be exact. I’ve downloaded the music but haven’t really taken the time to give this band the attention it deserves. With their first studio album in 16 years Kansas, one of America’s finest progressive rock bands returns to form. With a career that spans over 47 years with so many different line-ups their latest release, “The Prelude Implicit” has a familiar sound to it. The violin work of David Ragsdale (who originally joined in 1991 only to leave and return again in 2006) has provided the string element so essential to the bands’s early signature sound. The dual guitar of Rich Williams and Zak Rizvi, the album’s co-producer and co-writer fuse the hard rock, southern rock and progressive rock sound of the original band. And as is the case with many other bands that have been around as long as Kansas has, lead vocalists are the most difficult band member to replace yet retain the core sound. It’s no different here. Replacing the retired Steve Walsh whose voice graced the band during their rise to America’s arena rock consciousness is Ronnie Platt on lead vocals.

Here’s the current line-up featured on “The Prelude Implicit”:

Rich Williams – lead and rhythm guitar
Phil Ehart – drums, percussion
Billy Greer – bass, acoustic guitar, backing vocals
David Ragsdale – violin, additional rhythm guitar, backing vocals
Ronnie Platt – lead vocals, keyboards
David Manion – keyboards, backing vocals
Zak Rizvi – rhythm and lead guitar, backing vocals

Kansas #1

The track I’m going to highlight is “Rhythm in the Spirit.” It opens with the hard rock twin guitar work of Rich Williams and new band member Zak Rizvi. The heavy drum beats of original remaining member Phil Earhart adds a percussive punch to the the track while Billy Greer adds a bass heavy thump. A change in tempo descends into a mellow keyboard groove followed by the lead vocals of Ronnie Platt. Complete with introspective lyrics and an uplifting chorus that includes David Ragsdale’s violin, this cut is a friendly reminder of this band’s incredible musical heritage. The guitar solos are up to the standards set by the band ‘s former guitar wiz and songwriter, Kerry Livgren. Especially enjoyable to this fan is the emotional plea of lead vocalist Platt:

If you can change your mind
And see what’s there to find
There’s rhythm in the spirit
A new light will arise
And let you recognize

Although the band has been through many line-up changes through the many years they have never really left us musically. With this release, “The Prelude Implicit”, they triumphantly return to form. I gotta pay closer attention to new releases from venerable progressive rock acts!  In this case, I would have missed a truly triumphant return. Here’s a live performance video of “Rhythm In The Spirit.

Have you ever wondered how small and insignificant we really are?  That’s a pretty deep opening line. Well the Swedish prog rock band Karmakanic has titled their latest and fifth studio release, DOT after that very premise.

karmakanic_1Band leader and bassist for Swedish Prog royalty  Flower Kings, Jonas Reinhold, cites American scientist Carl Sagan and Voyager I as the inspiration for the album.  One of the last pictures from Voyager I depicted Earth as a small pixel, a dot if you will.  Sagan was quoted as describing the image of earth as “a pale blue dot suspended in a sunbeam.”  And according to Reinhold, “this dot is all we are and all we’ll ever be.”  And with that he expressed how silly it is for mankind to start wars, fight over borders, etc.  Now that subject matter my friends is something you probably only find in lyrics of todays’ progressive rock and not the contemporary music heard on commercial radio.  But it’s the music on this release that captured this listener’s ear.

If you know anything about my musical tastes by now you should know I’m a sucker for vocal harmonies.  The track “Steer By the Stars” has layers of it with up to 7 different voices lending their talents to the wonderful harmonies.  The bass work of leader Reingold is clearly understated here letting the vocals carry the weight of the song.  Plus there’s an almost anthemic message in the chorus we may all heed as our lives progress on this dot called earth:

And we all got an inner flame we sacrifice
to that road
To the way that says who we are
Keep the flame alive
Take the maps
the plans and rules of sacrifice
Keep it burning bright
Screw them up
It’s time to steer by the stars

I found myself listening to this track repeatedly upon first discovering it.  I couldn’t get enough of it.  Released in July of this year this upbeat cut has moved to the top my year-end playlist.

Here’s the video for “Steer By the Stars.”  Nothing groundbreaking here just the lyrics presented as motion graphics over abstract images.  I would have preferred a performance video of the band to greater appreciate their musical talents but appreciate following the lyrics as the track plays.  Enjoy.  Swedish progressive scores again.  And to borrow a term of nordic origin, quite fitting to this particular blog, “skoal!”

 

My latest discovery is the newly formed Australian band, Southern Empire.  As grandiose as their name suggests their musicianship is equal to the moniker they’ve chosen.  southern_empire_band1

Formed by Sean Timms, keyboardist from one of  Australia’s top progressive rock bands Unitopia, their music has elements of metal, jazz, fusion and of course prog.  Lead vocals are handled by Danny Lopresto while the other members of the band all provide additional voices.  The vocal harmonies of this band are on aural display on the track “Forest Fire.”  Midway through this song I hear vocals reminiscent of  Electric Light Orchestra and even The The Beatles!   How’s that for a comparison?

Since I’m doing the unforgivable and offering comparisons to this band, why not go all the way.  On first listen I would compare their overall sound to Dream Theater and Flying Colors.  With that said I think the phenomenal  musical interplay between Timms on keyboards and lead guitarist Cam Blokland on this track is equal to that of Steve Morse & Neil Morse (no relation) of Flying Colors and John Petrucci & Jordan Rudess from Dream Theater.  Now fans of those two bands may find my suggestions blasphemous but give Southern Empire a listen and you decide.  Blokland has been hailed as one of Australia’s best guitarists and “Forest Fire” confirms it.

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You have to listen to the bass heavy intro to the instrumental virtuosity that this track showcases.  Then the fusion-like interplay between  keyboards and guitar. Here’s where their sound departs from other neo-progressive rock bands of the day.  The improvisation, speed and overall tight musicianship of this band rises to the top.  So with elements from several different genres combining into one unique band, Southern Empire embarks on a conquest of the world music scene. “Forest Fire“is from their self titled debut album.  I can only hope this powerful collaboration of talented musicians from Down Under ascends to a place where it commands your musical appreciation like it has for me.

Here’s a video that features the band’s performance of “Forest Fire.”